89 Best Sights in Dublin, Ireland

A connoisseur's delight, this "library" is considered one of the overlooked treasures of Ireland. After Sir Alfred Chester Beatty (1875–1968), an American mining millionaire and a collector with a flawless eye, assembled one of the most significant collections of Islamic, early Christian, and Far Eastern art in the Western world, he donated it to Ireland. Housed in the gorgeous clock-tower building of Dublin Castle, exhibits include clay tablets from Babylon dating from 2700 BC, Japanese wood-block prints, Chinese jade books, early papyrus bibles, and Turkish and Persian paintings. The second floor, dedicated to the major religions, houses 250 manuscripts of the Koran from across the Muslim world, as well as one of the earliest Gospels. The first-floor Arts of the Book exhibition looks at the different origins and finest examples of books throughout the world. Guided tours of the library are available on Wednesday at 1 pm and Sunday at 3 pm and 4 pm. The gift shop is a real treasure trove and on sunny days the garden is one of the most tranquil places in central Dublin.

From its exterior, you'd never guess that the first Christianized Danish king built a wooden church at this site in 1038; because of the extensive 19th-century renovation of its stonework and trim, the cathedral looks more Victorian than Anglo-Norman. Construction on the present Christ Church—the flagship of the Church of Ireland and one of two Protestant cathedrals in Dublin (the other is St. Patrick's just to the south)—was begun in 1172 by Strongbow, a Norman baron and conqueror of Dublin for the English Crown, and continued for 50 years. By 1875 the cathedral had deteriorated badly; a major renovation gave it much of the look it has today, including the addition of one of Dublin's most charming structures: a Bridge of Sighs–like affair that connects the cathedral to the old Synod Hall, which now holds the Viking multimedia exhibition, Dublinia. Strongbow himself is buried in the cathedral, beneath an impressive effigy. The vast, sturdy crypt, with its 12th- and 13th-century vaults, is Dublin's oldest surviving structure and the building's most notable feature. The exhibition Treasures of Christ Church includes manuscripts, various historic artifacts, and the tabernacle used when James II worshipped here. But the real marvels are the mummified bodies of a cat and rat—they were trapped in an organ pipe in the 1860s—who seem caught in a cartoon chase for all eternity. At 6 pm on Wednesday and Thursday and 3:30 pm on Sunday, you can enjoy the glories of a choral evensong, and the bell ringers usually practice on Friday at 7 pm.

Ireland's all-dominating brewery—founded by Arthur Guinness in 1759 and at one time the largest stout-producing brewery in the world—spans a 60-acre spread west of Christ Church Cathedral. Not surprisingly, it's the most popular tourist destination in town—after all, the Irish national drink is Guinness stout, a dark brew made with roasted malt. The brewery itself is closed to the public, but the Guinness Storehouse is a spectacular attraction, designed to woo—some might say brainwash—you with the wonders of the "dark stuff." In a 1904 cast-iron-and-brick warehouse, the museum display covers six floors built around a huge, central glass atrium, which is shaped like a giant pint glass. Beneath the glass floor of the lobby you can see Arthur Guinness's original lease on the site, for a whopping 9,000 years. The exhibition elucidates the brewing process and its history, with antique presses and vats, a look at bottle and can design through the ages, a history of the Guinness family, a fascinating archive of Guinness advertisements, and the Guinness Academy teaching you how to pull your own perfect pint or how to become a connoisseur taster. The star attraction is undoubtedly the top-floor Gravity Bar, with 360-degree floor-to-ceiling glass walls that offer a nonpareil view out over the city at sunset while you sip your free pint. One of the bar's first clients was one William Jefferson Clinton. You'll find the Guinness logo on everything from piggy banks to underpants in the Guinness Store on the ground floor.

The "Behind the Gates" guided tour (3 hours, €95) takes travelers into the heart of the working brewery including its underground tunnels.

Dublin's best-kept secret has to be this 1865 Ninian Niven–designed English Landscape walled garden that shockingly few natives seem to even know about. The architect showed off his dramatic flair in the rustic grotto and cascade, the sunken panels of lawn with their fountains, the blooming rosarium, and wonderful little wooded areas. This public park has no playground, but kids really love the "secret garden" feel to the place and the fact that the waterfall has rocks from every one of Ireland's 32 counties. Restoration of the gardens began in 1995 and has left the city with a Victorian treasure complete with a perfect box hedge and a working sundial. Access is from Hatch Street.

Leaders of many failed Irish rebellions spent their last days in this grim, forbidding structure, and it holds a special place in the myth and memory of the country. The 1916 commanders Pádraig Pearse and James Connolly were held here before being executed in the prison yard. Other famous inmates included the revolutionary Robert Emmet and Charles Stewart Parnell, a leading politician. You can visit the prison only as part of a very moving and exciting guided tour, which leaves every hour on the hour. The cells are a chilling sight, and the guided tour and a 30-minute audiovisual presentation relate a graphic account of Ireland's political history over the past 200 years—from an Irish Nationalist viewpoint. A newer exhibition explores the history of the prison and its restoration. A small tearoom is on the premises.

It is almost essential to book ahead for the guided tour, especially during high season. You really don't want to chance a three-hour wait.

This clever, eclectic little museum, one of Dublin's best, sets out to tell the history of Dublin in the last hundred years through changing exhibitions of the objects and stories of its citizens. The collection includes art, photography, ads, letters, objects, and ephemera relating to life in the capital since 1900. Housed in the first floor of a Georgian building, it even has an interesting section on U2 and how the city shaped them. There's a slightly informal, hodgepodge feel to the place, but that just adds to the pleasure of strolling around and taking it all in. They even organize a family treasure hunt in St. Stephen's Green. Entrance is by guided tour only and the museum also holds fascinating talks.

Created between 1762 and 1764, this tranquil square a few blocks east of St. Stephen's Green is lined on three sides by some of Dublin's best-preserved Georgian town houses, many of which have brightly painted front doors crowned by intricate fanlights. Leinster House, the National Museum of Natural History, and the National Gallery line the west side of the square. It's on the other sides, however, that the Georgian terrace streetscape comes into its own—the finest houses are on the north border. Even when the flower gardens here are not in bloom, the vibrant, mostly evergreen grounds, dotted with sculpture and threaded with meandering paths, are worth strolling through. Several distinguished Dubliners have lived on the square, including Oscar Wilde's parents, Sir William and "Speranza" Wilde (No. 1); Irish national leader Daniel O'Connell (No. 58); and authors W. B. Yeats (Nos. 52 and 82) and Sheridan LeFanu (No. 70). Until 50 years ago, the square was a fashionable residential area, but today most of the houses serve as offices. At the south end of Merrion Square, on Upper Mount Street, stands the Church of Ireland St. Stephen's Church. Known locally as the "pepper canister" church because of its cupola, the structure was inspired in part by Wren's churches in London. An open-air art gallery featuring the works of local artists is held on the square on Sundays.

Abbreviated as MoLI (pronounced "Molly," Bloom's wonderful wife in Ulysses), this impressive new museum is dedicated to Ireland's very intimate relationship with the written word. Located in the elegant Georgian Newman House, exhibits tell the history of Irish literature from the earliest oral storytellers right through to contemporary writers. The star artifact is "copy number one" of Ulysses, which was handed to Joyce himself hot from the printing press. The Joyce collection, including the Dedalus Library, is at the heart of the museum, but all the great Irish writers, past and present, are represented. There are lectures, multimedia shows, children's educational programs, and a very tranquil "secret" garden out back. The Commons Cafe is a small eatery with an already big reputation.

Caravaggio's The Taking of Christ (1602), Van Gogh's Rooftops of Paris (1886), Vermeer's Lady Writing a Letter with Her Maid (circa 1670) . . . you get the picture, or rather, you'll find the picture here. Established in 1864, and designed by Francis Fowke (who also designed London's Victoria & Albert Museum), the National Gallery of Ireland is one of Europe's finest smaller art museums, with "smaller" being a relative term: the collection holds more than 2,500 paintings and some 10,000 other works. But unlike Europe's largest art museums, the National Gallery can be thoroughly covered in a morning or afternoon without inducing exhaustion.

A highlight of the museum is the major collection of paintings by Irish artists from the 17th through 20th centuries, including works by Roderic O'Conor (1860–1940), Sir William Orpen (1878–1931), and William Leech (1881–1968). The Yeats Museum section contains works by members of the Yeats family, including Jack B. Yeats (1871–1957), the brother of writer W. B. Yeats, and by far the best-known Irish painter of the 20th century.

The collection also claims exceptional paintings from the 17th-century French, Dutch, Italian, and Spanish schools, and works by French Impressionists Monet, Sisley, and Renoir. If you are in Dublin in January, catch the sumptuous annual Turner exhibition, with paintings only displayed in the winter light that best enhances their wonders. The amply stocked gift shop is a good place to pick up books on Irish artists. Free guided tours are available on Saturday at 12:30 and on Sunday at 12:30 and 1:30.

Just south of Leinster House is Ireland's National Museum of Archaeology, one of four branches of the National Museum of Ireland, and home to a fabled collection of Irish artifacts dating from 7000 BC to the present. Organized around a grand rotunda, the museum is elaborately decorated, with mosaic floors, marble columns, balustrades, and fancy ironwork. It has the largest collection of Celtic antiquities in the world, including gold jewelry, carved stones, bronze tools, and weapons.

The Treasury collection, including some of the museum's most renowned pieces, is open on a permanent basis. Among the priceless relics on display are the 8th-century Ardagh Chalice, a two-handled silver cup with gold filigree ornamentation; the bronze-coated iron St. Patrick's Bell, the oldest surviving example (5th–8th century) of Irish metalwork; the 8th-century Tara Brooch, an intricately decorated piece made of white bronze, amber, and glass; and the 12th-century bejeweled oak Cross of Cong, covered with silver and bronze panels.

The exhibition Ór - Ireland's Gold gathers together the most impressive pieces of surprisingly delicate and intricate prehistoric goldwork—including sun disks and the late Bronze Age gold collar known as the Gleninsheen Gorget—that range in dates from 2200 to 500 BC. Upstairs, Viking Ireland is a permanent exhibit on the Norsemen, featuring a full-size Viking skeleton, swords, leatherworks recovered in Dublin and surrounding areas, and a replica of a small Viking boat. A newer attraction is an exhibition entitled Kinship and Sacrifice, centering on a number of Iron Age "bog bodies" found along with other objects in Ireland's peat bogs.

The 18th-century Collins Barracks, near Phoenix Park, houses the National Museum of Decorative Arts and History, a collection of glass, silver, furniture, and other decorative arts, as well as a military history section.

Here, in one gigantic treasure chest, is the full panoply of the National Museum's collection of glass, silver, furniture, and other decorative arts, along with some items from the country's military history. The setting is spectacular: the huge Collins Barracks, named for the assassinated Irish Republican leader Michael Collins (1890–1922). Built in the early 18th century, and designed by Captain Thomas Burgh, these erstwhile "Royal Barracks" were stylishly renovated to become a showcase for the museum, which opened in September 1997. The displays are far-ranging, covering everything from one of the greatest collections of Irish silver in the world to Irish period furniture—you'll see that the country's take on Chippendale was far earthier than the English mode. Soldiers and Chiefs: The Irish at War and a thousand years of Irish coins are other highlights. Headlining the collections are some extraordinary objects, including the Fonthill Vase, the William Smith O'Brien Gold Cup, and the Lord Chancellor's Mace. There is also a small military museum.

One of the greatest stately homes of Ireland, Newbridge House, in Donabate, was built between 1740 and 1760 for Charles Cobbe, archbishop of Dublin. A showpiece in the Georgian and Regency styles, the house is less a museum than a home because the Cobbe family still resides here, part of a novel scheme the municipal government allowed when they took over the house in 1985. The sober exterior and even more sober entrance hall—all Portland stone and Welsh slate—don't prepare you for the splendor of Newbridge's Red Drawing Room, perhaps Ireland's most sumptuous 18th-century salon. Cobbe's son, Thomas, and his wife, Lady Betty Beresford, sister of the marquess of Waterford, had amassed a great collection of paintings and needed a hall in which to show them off, so they built a back wing on the house to incorporate an enormous room built for entertaining and impressing others. That it does, thanks to its crimson walls, fluted Corinthian columns, dozens of Old Masters, and glamorous rococo-style plaster ceiling designed by the Dublin stuccadore Richard Williams. Beyond the house's walled garden are 366 acres of parkland and a restored 18th-century animal farm. The coffee shop is renowned for the quality and selection of its homemade goods. You can travel from Malahide to Donabate by train, which takes about 10 minutes. From the Donabate train station, it's a 15-minute walk to the Newbridge House grounds.

Europe's largest enclosed public park, which extends about 5 km (3 miles) along the Liffey's north bank, encompasses 1,752 acres and holds a lot of verdant green lawns, woods, lakes, and playing fields. Sunday is the best time to visit: games of cricket, football (soccer), polo, baseball, hurling (a traditional Irish sport that resembles a combination of lacrosse, baseball, and field hockey), and Irish football are likely to be in progress. Old-fashioned gas lamps line both sides of Chesterfield Avenue, the main road that bisects the park for 4 km (2½ miles), which was named for Lord Chesterfield, a lord lieutenant of Ireland, who laid out the road in the 1740s. The beautiful, pristine 1896 Victorian Tea Rooms near the Avenue still serve dainty dishes for park visitors. To the right as you enter the park is the People's Garden, a colorful flower garden designed in 1864. Rent bikes (including tandems) at the main gate to get the most from the park's hidden corners. Within Phoenix Park is a visitor center, in the 17th-century fortified Ashtown Castle; it has information about the park's history, flora, and fauna. Admission to the center is free, and it runs guided tours of the park throughout the year. There is also the wonderful Phoenix Cafe beside the old walled garden.

Not content to have the busiest tourist attraction in the country with the Storehouse, Guinness (or rather, its parent company, mega-liquor brand, Diageo) has launched a new whiskey distillery on the site of the former brewery powerhouse, across the street from the Guinness Open Gate Brewery taproom. It's named after a long-forgotten whiskey made on-site, but all that remains of that original distillery is the beautiful windmill tower and a single pear tree (both of which are nodded to in the design of the bottle). A passionate guide leads you on an excellent whiskey tour through this state-of-the-art facility. Explore the science of distillation, the guesswork of blending, and try your hand at tasting and cocktail-making workshops. Finish it all with a whiskey cocktail at the fun Power House Bar.

The largest cathedral in Dublin and also the national cathedral of the Church of Ireland, St. Patrick's was built in honor of Ireland's patron saint, who—according to legend—baptized many converts at a well on this site in the 5th century. The original building, dedicated in 1192 and early English Gothic in style, was an unsuccessful attempt to assert supremacy over the capital's other Protestant cathedral, Christ Church Cathedral. At 305 feet, this is the longest church in the country, a fact Oliver Cromwell's troops found useful, as they made the church's nave into their stable in the 17th century.

While in the shadow of St. Patrick's Cathedral, head from Patrick Close to Patrick Street; look down the street toward the Liffey for a fine view of Christ Church.

Make sure you see the gloriously heraldic Choir of St. Patrick's, hung with colorful medieval banners, and find the tomb of Jonathan Swift, most famous of St. Patrick's many illustrious deans and immortal author of Gulliver's Travels, who held office from 1713 to 1745. Swift's tomb is in the south aisle, not far from that of his beloved "Stella," Mrs. Esther Johnson. Swift's epitaph is inscribed over the robing-room door. W. B. Yeats—who translated it thus: "Swift has sailed into his rest; Savage indignation there cannot lacerate his breast"—declared it the greatest epitaph of all time. Other memorials include the 17th-century Boyle Monument, with its numerous painted figures of family members, and the monument to Turlough O'Carolan, the last of the Irish bards and one of the country's finest harp players. Living Stones is the cathedral's permanent exhibition celebrating St. Patrick's place in the life of the city. If you're a music lover, you're in for a treat; matins (9:40 am) and evensong (5:45 pm) are still sung on many days.

Dubliners call it simply Stephen's Green, and green it is (year-round), a verdant, 27-acre Southside square that was used for the public punishment of criminals until 1664. After a long period of decline, it became a private park in 1814—the first time in its history that it was closed to the public. Its fortunes changed again in 1880, when Sir Arthur Guinness paid for it to be laid out anew. Flower gardens, formal lawns, a Victorian bandstand, and an ornamental lake with lots of waterfowl are all within the park's borders, connected by paths guaranteeing that strolling here or just passing through will offer up unexpected delights (such as palm trees). Among the park's many statues are a memorial to W. B. Yeats and another to Joyce by Henry Moore. In the 18th century the walk on the north side of the green was referred to as the Beaux Walk because most of Dublin's gentlemen's clubs were in town houses here. Today it's dominated by the legendary Shelbourne hotel. On the south side is the alluring Georgian Newman House. A large outdoor market springs up around the park at Christmastime.

Home to Ireland's largest collection of books and manuscripts, the Old Library's principal treasure is the Book of Kells, generally considered to be the most striking manuscript ever produced in the Anglo-Saxon world and one of the great masterpieces of early Christian art. The book, which dates to the 9th century, was re-bound in four volumes in 1953, two of which are usually displayed at a time, so you typically see no more than four original pages. However, such is the incredible workmanship of this illuminated version of the Gospels that one folio alone is worth the entirety of many other painted manuscripts. The most famous page shows the "XPI" monogram (symbol of Christ), but if this page is not on display, you can still see a replica of it, as well as many other lavishly illustrated pages, in the library's exhibition Turning Darkness into Light—dedicated to the history, artistry, and conservation of the book—through which you must pass to see the originals.

Because of the fame and beauty of the Book of Kells, it's all too easy to overlook the other treasures in the library. Highlights include the spectacular Long Room, the narrow main room of the library and home to approximately 200,000 of the 3 million volumes in Trinity's collection, including one of the remaining copies of the 1916 Proclamation of the Irish Republic; a grand series of marble busts, of which the most famous is Roubiliac's depiction of Jonathan Swift; the carved Royal Arms of Queen Elizabeth I, the only surviving relic of the original college buildings; a beautiful early Irish harp; the Book of Armagh, a 9th-century copy of the New Testament that also contains St. Patrick's Confession; and the legendary Book of Durrow, a 7th-century Gospel book from County Offaly. You may have to wait in line to enter the library if you don't get here early in the day, and tickets are less expensive off-peak.

Founded in 1592 by Queen Elizabeth I to "civilize" (Her Majesty's word) Dublin, Trinity is Ireland's oldest and most famous college. The memorably atmospheric campus is a must; here you can track the shadows of some of the noted alumni, such as Jonathan Swift (1667–1745), Oscar Wilde (1854–1900), Bram Stoker (1847–1912), and Samuel Beckett (1906–89). Trinity College, Dublin (familiarly known as Trinity or TCD), was founded on the site of the confiscated Priory of All Hallows. For centuries Trinity was the preserve of the Protestant Church; a free education was offered to Catholics—provided that they accepted the Protestant faith. As a legacy of this condition, until 1966 Catholics who wished to study at Trinity had to obtain a dispensation from their bishop or face excommunication.

Trinity's grounds cover 40 acres. Most of its buildings were constructed in the 18th and early 19th centuries. The extensive West Front, with a classical pedimented portico in the Corinthian style, faces College Green and is directly across from the Bank of Ireland; it was built between 1755 and 1759, and is possibly the work of Theodore Jacobsen, architect of London's Foundling Hospital. The design is repeated on the interior, so the view is the same from outside the gates and from the quadrangle inside. On the lawn in front of the inner facade stand statues of two alumni, orator Edmund Burke (1729–97) and dramatist Oliver Goldsmith (1730–74). On the right side of the cobblestone quadrangle of Parliament Square (commonly known as Front Square) is Sir William Chambers's theater, or Examination Hall, dating from the mid-1780s, which contains the college's most splendid Adamesque interior, designed by Michael Stapleton. The hall houses an impressive organ retrieved from an 18th-century Spanish ship and a gilded oak chandelier from the old House of Commons; concerts are sometimes held here. The chapel, left of the quadrangle, has stucco ceilings and fine woodwork. The looming campanile, or bell tower, is the symbolic heart of the college; erected in 1853, it dominates the center of the square.

Built on the profits of sin—well, by a generous wine merchant actually—and topped with a soaring Gothic spire, this church anchors the northeast corner of Parnell Square, an area that was the city's most fashionable address during the gilded days of the 18th-century Ascendancy. Popularly known as Findlater's Church, after the merchant Alex Findlater, the church was completed in 1864 with an interior that has a stark Presbyterian mood despite stained-glass windows and ornate pews. For a bird's-eye view of the area, climb the small staircase that leads to the balcony.

All 14 Irishmen executed by the British following the 1916 Easter Rising are buried here, including Pádraig Pearse, who led the rebellion; his younger brother Willie, who played a minor role in the uprising; and James Connolly, a socialist and labor leader wounded in the battle. Too weak from his wounds to stand, Connolly was tied to a chair and then shot. The burial ground is a simple but formal area, with the names of the dead leaders carved in stone beside an inscription of the proclamation they issued during the uprising.

At the King Sitric restaurant on the East Pier, a 2½-km (1½-mile) cliff walk begins, leading to the white Baily Lighthouse, built in 1814. In some places, the cliff path narrows and drops close to the water, but the views out over the Irish Sea are terrific. Some of the best views in the whole Dublin area await from the parking lot above the lighthouse, looking out over the entire bay as far south as Dun Laoghaire, Bray, and the north Wicklow coast. You can also see quite a bit of the city.

Across the street from the west facade of Trinity College stands one of Dublin's most striking buildings, formerly the original home of Irish Parliament. A pedimented portico fronted by six massive Corinthian columns dominates the grand facade, which follows the curve of Westmoreland Street as it meets College Green, once a Viking meeting place and burial ground. Inside, stucco rosettes adorn the coffered ceiling in the pastel-hue, colonnaded, clerestoried main banking hall, at one time the Court of Requests, where citizens' petitions were heard. Just down the hall is the original House of Lords, with an oak-panel nave, a 1,233-drop Waterford glass chandelier, and tapestries depicting the Battle of the Boyne and the Siege of Derry; ask a guard to show you in. Visitors are welcome during normal banking hours. A recently opened culture and heritage center houses changing exhibitions on Irish artists, writers, and history.

The Berkeley Library, the main student library at Trinity, was built in 1967 and is named after the philosopher and alumnus George Berkeley. The small open space in front of the library contains a spherical brass sculpture designed by Arnaldo Pomodoro. A very modern, sleek extension dominates the Nassau Street side of the campus. The library is not open to the public.

Everyone in Dublin seems to have an opinion on the Central Bank Building. Designed by Sam Stephenson in 1978, the controversial, ultramodern glass-and-concrete building suspends huge concrete slabs around a central axis. It was originally one story higher, but the top floor had to be lopped off, as it was hazardous to low-flying planes. Watch out for—or just watch—the skateboarders who have taken over the little plaza in front of the building. The bank moved to new headquarters in the North Wall Quay area in 2016, and exciting plans for the future uses of the iconic building include a rooftop restaurant.

Facing the Liffey from Cork Hill at the top of Parliament Street, this grand Georgian municipal building (1769–79), once the Royal Exchange, marks the southwest corner of Temple Bar. Today it's the seat of Dublin Corporation, the elected body that governs the city. Thomas Cooley designed the building with 12 columns that encircle the domed central rotunda, which has a fine mosaic floor and 12 frescoes depicting Dublin legends and ancient Irish historical scenes. The 20-foot-high sculpture to the right is of Daniel O'Connell, "The Liberator." He looks like he's about to begin the famous speech he gave here in 1800. The building houses a multimedia exhibition—with artifacts, kiosks, graphics, and audiovisual presentations—tracing the evolution of Ireland's 1,000-year-old capital.

2022 is the centenary of the British handing over power to the fledgling Irish government and it all happened right here, on the grounds of Dublin Castle. As seat and symbol of the British rule of Ireland for more than seven centuries, the castle figured largely in Ireland's turbulent history early in the 20th century. It's now mainly used for Irish and EU governmental purposes. The sprawling Great Courtyard is the reputed site of the Black Pool (Dubh Linn, pronounced "dove-lin") from which Dublin got its name. In the Lower Castle Yard, the Record Tower, the earliest of several towers on the site, is the largest remaining relic of the original Norman buildings, built by King John between 1208 and 1220. The clock-tower building houses the fabulous Chester Beatty Library. The State Apartments (on the southern side of the Upper Castle Yard)—formerly the residence of the English viceroys and now used by the president of Ireland to host visiting heads of state and EU ministers—are lavishly furnished with rich Donegal carpets and illuminated by Waterford glass chandeliers. The largest and most impressive of these chambers, St. Patrick's Hall, with its gilt pillars and painted ceiling, is used for the inauguration of Irish presidents. The Round Drawing Room, in Bermingham Tower, dates from 1411 and was rebuilt in 1777; numerous Irish leaders were imprisoned in the tower from the 16th century to the early 20th century. The blue oval Wedgwood Room contains Chippendale chairs and a marble fireplace. The Church of the Holy Trinity features carved oak panels, stained glass depicting the viceroy's coat of arms, and an elaborate array of fan vaults. More than 100 carved heads adorn the walls outside; among them, St. Peter, Jonathan Swift, St. Patrick, and Brian Boru.

Enter the castle through the Cork Hill Gate, just west of City Hall. One-hour guided tours are available throughout the day, but the rooms are closed when in official use, so call ahead. The Castle Vaults hold an elegant little patisserie and bistro. The Irish Chamber Orchestra performs regular concerts in the old Printworks building.

The Francis Bacon studio, reconstructed here exactly as the artist left it on his death (including his diary, books, walls, floors, ceiling, and even dust!), makes this already impressive gallery a must-see for art lovers and fans of the renowned British artist. Built as a town house for the Earl of Charlemont in 1762, this residence was so grand that the Parnell Square street on which it sits was nicknamed "Palace Row" in its honor. Sir William Chambers, who also built the Marino Casino for Charlemont, designed the structure in the best Palladian manner. Its delicate and rigidly correct facade, extended by two demilune (half-moon) arcades, was fashioned from the "new" white Ardmulcan stone (now seasoned to gray). Charlemont was one of the cultural locomotives of 18th-century Dublin—his walls were hung with Titians and Hogarths, and he frequently dined with Oliver Goldsmith and Sir Joshua Reynolds—so he would undoubtedly be delighted that his home is now a gallery, named after Sir Hugh Lane, a nephew of Lady Gregory (W. B. Yeats's aristocratic patron). Lane collected both Impressionist paintings and 19th-century Irish and Anglo-Irish works. A complicated agreement with the National Gallery in London (reached after heated diplomatic dispute) stipulates that a portion of the 39 French paintings amassed by Lane shuttle between London and here. Time it right and you'll be able to see Pissarro's Printemps, Manet's Eva Gonzales, Morisot's Jour d'Été, and the jewel of the collection, Renoir's Les Parapluies.

Irish artists represented include Roderic O'Conor, well-known for his views of the west of Ireland; William Leech, including his Girl with a Tinsel Scarf and The Cigarette; and the most famous of the group, Jack B. Yeats (W. B.'s brother). The museum has a dozen of his paintings, including Ball Alley and There Is No Night. The mystically serene Sean Scully Gallery displays seven giant canvasses by Ireland's renowned abstract Modernist. They also have a great kids club with workshops and host classical concerts every Sunday (€2).

“If you would know Ireland—body and soul—you must read its poems and stories," wrote W. B. Yeats in 1891. Further investigation into the Dublin way with words can be found at this old-fashioned museum, in a magnificently restored 18th-century town house on the north side of Parnell Square. The mansion, once the home of John Jameson, of the Irish whiskey family, centers on the Gallery of Writers, an enormous drawing room gorgeously decorated with paintings, Adamesque plasterwork, and a deep Edwardian lincrusta frieze. Slightly overshadowed by the opening of the new Museum of Literature Ireland, this smaller venue still houses rare manuscripts, diaries, posters, letters, limited and first editions, photographs, and other mementos—and there are many of them, so leave plenty of time—commemorating the lives and works of the city's greatest writers, including Joyce, Shaw, J. M. Synge, Lady Gregory, W. B. Yeats, Beckett, and others. On display are an 1804 edition of Swift's Gulliver's Travels, an 1899 first edition of Bram Stoker's Dracula, and an 1899 edition of Wilde's Ballad of Reading Gaol. There's a Teller of Tales exhibition showcasing Behan, O'Flaherty, and O'Faoláin. Readings are periodically held, and there's a room dedicated to children's literature. The bookshop and café make this an ideal place to spend a rainy afternoon.

Founded in 1830, Dublin Zoo may be the third-oldest public zoo in the world but the modern incarnation is an exciting, humane, and well-thought-out wildlife adventure. Animals from tropical climes are kept in unbarred enclosures, and Arctic species swim in the lakes close to the reptile house. Some 700 lions have been bred here since the 1850s, one of whom became familiar to movie fans the world over when MGM used him for its trademark. (As they will tell you at the zoo, he is in fact yawning in that familiar shot: an American lion had to be hired to roar and the "voice" was dubbed.) The African Plains section houses the zoo's larger species; the Nakuru Safari is a 25-minute tour of this area. Sea Lion Cove is one of the most popular destinations, especially at feeding time. In summer the Lakeside Café serves ice cream and drinks.

Ever wanted a chance to put your head in the stocks? Dublin's Medieval Trust has set up an entertaining and informative reconstruction of everyday life in medieval Dublin. The main exhibits use high-tech audiovisual and computer displays; you can also see a scale model of what Dublin was like around 1500, a medieval maze, a life-size reconstruction based on the 13th-century dockside at Wood Quay, and a fine view from the tower. Dublinia is in the old Synod Hall (formerly a meeting place for bishops of the Church of Ireland), joined via a covered stonework Victorian bridge to Christ Church Cathedral. An exhibition on "Viking Dublin" consists of a similar reconstruction of life in even earlier Viking Dublin, including a Viking burial. There's a guided tour at 2:30 pm every day.