Natasha Nyanin

Ever since I watched director Djibril Diop Mambety’s cinematic poem of a film, Touki Bouki, I have been captivated by the idea of his home country, Senegal. If the uneven pacing, vibrant color juxtapositions, and very spirit of this film, described by director Martin Scorsese as, “mad with raw, wild energy,” was anything to go … Continued

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