Fodor's Expert Review Musée National des Beaux-Arts du Québec
Situated on the city's liveliest avenue, the Grand Allée, this neoclassical museum in the park with a slick and modern wing is a remarkable steel-and-glass setting for its collection of 22,000 traditional and contemporary pieces of Québec art. Designed by starchitects Rem Koolhaas and Shohei Shigematsu, the Lassonde Pavilion, added in 2016, features three stacked, cascading galleries; a grand stairwell that spirals dramatically from the top floor to the basement, where a rising almost-mile-long tunnel connects to the museum’s three other wings; and views of the neighboring neo-Gothic church from both the rooftop terrace and courtyard. MNBAQ houses works by local legends Jean-Paul Riopelle, Jean-Paul Lemieux, Alfred Pellan, Fernand Leduc, and Horatio Walker that are particularly notable, as well as temporary exhibits by international artists such as Turner, Miro, and Giacometti. The original museum building in Parc des Champs-de-Bataille is part of an abandoned prison dating from... READ MORE
Situated on the city's liveliest avenue, the Grand Allée, this neoclassical museum in the park with a slick and modern wing is a remarkable steel-and-glass setting for its collection of 22,000 traditional and contemporary pieces of Québec art. Designed by starchitects Rem Koolhaas and Shohei Shigematsu, the Lassonde Pavilion, added in 2016, features three stacked, cascading galleries; a grand stairwell that spirals dramatically from the top floor to the basement, where a rising almost-mile-long tunnel connects to the museum’s three other wings; and views of the neighboring neo-Gothic church from both the rooftop terrace and courtyard. MNBAQ houses works by local legends Jean-Paul Riopelle, Jean-Paul Lemieux, Alfred Pellan, Fernand Leduc, and Horatio Walker that are particularly notable, as well as temporary exhibits by international artists such as Turner, Miro, and Giacometti. The original museum building in Parc des Champs-de-Bataille is part of an abandoned prison dating from 1867; a hallway of cells, with the iron bars and courtyard, has been preserved as part of a permanent exhibition on the prison's history.
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